Loungeseat looking for Lightness
There is a legendary furniture scene in Jacques Tati's 1958 film classic Mon Oncle. The lady of the house gives the neighbor a tour of her modern home and stops in front of a paltry composition of wire chairs. "This is our seating area," she says proudly, and the spectator smiles. For let's be honest, wire furniture is a strenuous contemporary. It inevitably has the dreaded ‘rolled roast effect' on the sitter's derrière.
