Filigrana

Stylepark-ID:	04.4211.11127
Categories:	Interior lighting › Pendant lights

Product description

Filigrana Light harnesses the mastery and heritage of traditional Venetian glass blowing, merging a 16th-century technique from Murano with a modern aesthetic to create four unique suspension lights in three candy-stripe colour options.

Articles about Filigrana

Luminaire that looks like sugar

Luminaire that looks like sugar

6/23/2018

Established & Sons shows with "Filigrana" playful pendant lamps made of Venetian glass.

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Harmony in contrast

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Dimitri Bähler likes balance – between a personal and a user-oriented approach, between simple and complex, decorative and functional. Since 2014 he has been walking the line within the different poles of design from his studio in the Swiss town of Biel.

Boundless creativity

Boundless creativity

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“We have a great urge to experiment,” says Yael Mer. She and Shay Alkalay founded the studio “Raw Edges” back in 2007 and have been coming up with unusual approaches in design ever since.

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Quo vadis, furniture design? This year’s Salone del Mobile reveals a few ideas. An analysis in our glance back at the fair.

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In Milan, Konstantin Grcic presented his furniture collection “Chess” with Magis, a sofa with Established & Sons, a chair with Plank, and much more besides. Uta Abendroth spoke to him about inspiration, materials and the relocation of his studio.

At home – what’s that?

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No London Design Festival without some special highlight. This year, four small houses were on show outside the National Gallery on Trafalgar Square – by Jasper Morrison, Raw Edges, Ilse Crawford and Patternity, created for the “A Place Called Home” project.

Salone, Salone or Twelve Milan stories

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Milan in the days of the Salone and Fuori Salone – is a hodgepodge of impressions, encounters and cameo stories. In terms of form and content, they are as different as, say, people, furniture, brands, and markets.

28.280 coloured glassbowls

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Our recce of the London Design Festival scouts six of the core venues to discover the current design tendencies. On this 16 mile whistle-stop tour from the west to the east of London, we start at the Victoria & Albert Museum, the self-proclaimed design hub of the LDF.

The main criteria is good work

The main criteria is good work

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At the London Design Festival Sebastian Wrong presented his new collection “Wrong For Hay” in a stylish Georgian house at St James’s Park. Uta Abendroth spoke to him about the direction the portfolio takes, London as a location and working with the Danes.

The longing for a studiolo

The longing for a studiolo

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With “7 Studies”, gallerist and furniture maker Jörg Schellmann is showing in Munich how seven renowned artists and designers, among them Stefan Diez, Liam Gillick and Donald Judd, are furnishing workspaces. And that they are not all that far from the Renaissance studiolo.

18 million coins for the Underground

18 million coins for the Underground

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In 2012, Edward Barber uand Jay Osgerby caused quite a stir with their design for the Olympic torch. This year the two architects are placing a renewed emphasis on furniture design. Uta Abendroth met with one half of the duo, Jay Osgerby, in Milan, where their sofas, tables and stool premiered at Knoll.

Two brothers in a brilliant game with nature. Hey, boys will be boys

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Sustainability – the concept for the Effizienzhaus Plus in Berlin

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Manufacturer:
Established & Sons, United Kingdom

Design:
Sebastian Wrong
2018

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