Ross Lovegrove
London, United Kingdom

Ross Lovegrove, “Special Guest” at Domotex 2015, has long since transposed his futuristic design onto floors. In the interview with Uta Abendroth he explains, in which way designers, architects and manufacturers can advance the design of floorings by thinking outside the box and new material compositions.

What happens if fashion and furniture embark on a relationship? We’ve made a few matches for you from among the novelties at the Milan Salone and the catwalk couture for the coming winter season. All just coincidence?

Ross Lovegrove presented his new chair “Diatom” in Milan at the Moroso booth. Adeline Seidel conducted a series of txt-msgs with him on his diatomic passions.

Milan in the days of the Salone and Fuori Salone – is a hodgepodge of impressions, encounters and cameo stories. In terms of form and content, they are as different as, say, people, furniture, brands, and markets.

Our recce of the London Design Festival scouts six of the core venues to discover the current design tendencies. On this 16 mile whistle-stop tour from the west to the east of London, we start at the Victoria & Albert Museum, the self-proclaimed design hub of the LDF.

A little bit of happiness just outside the door: seating furniture, light, delicate, flexible and anything but clunky.

And on we go. To make headway, we up the pace a little and cast a glance at fluorescent yellow shoes, peek into showrooms, inner courtyards, gardens and historical buildings.

Milan 2013, a mixture of prudence, consolidation and solid design work. A little less hype and fewer prototypes, too. This is certainly doing the industry good.

Parador has asked some of the giants of the design world to design its latest laminate collection. Zaha Hadid now illuminates prisms, the Bouroullec brothers enchant with colored light displays and Ross Lovegrove shocks with his 3D skeleton.

At the ISH Ross Lovegrove presented his new "Freedom" collection for Turkish baths maker VitrA. We talked to him about the change in bathrooms, biomorphic shapes, fat-free design, the responsibility of a star designer, and design in an age of crisis.

A chair is a chair and a table is a table and so on and so forth... That is correct and yet incorrect. For the symbolic qualities of the things that surround us daily are by no means as functional as a chic hat on a bonehead. Yet even symbolism has its pitfalls.